statement
on the artist
Richard
Lorenz
- Fantastic
Voyage :
- The
Photographs of Arthur Tress
PROLOGUE
»Photography
is my method for defining the confusing world
- that
rushes constantly toward me. lt is my defensive attempt
- to
reduce our daily chaos to a set of understandable images.
- Through
my camera I try to clarify and edit the innumerable
- flow
of momerts that constantly parades and irvades my
- senses.
My urge to photograph is activated by an almost
- biological
instinct for self-preservation from disorder. The
- camera
is a mechanical apparatus that extends my natural
- ability
and desire for meaningful organization. I need it to sur-
- vive.«
- Arthur Tress [1]
Arthur
Tress distills multiple viewpoints in his unique and ever-evolving style
of
- photography.
The cultural and historical inquiry of the ethnographer, the psycho-
- social
guidance and thought-seeding of the stage director, and the calculating,
- sometimes
improvisational, imagination and creativity of the artist all coalesce
in
- Tress
the photographer. He is one of America's most prodigious and diversified
- photographers,
one whose documentary reportage can be so subjective or fa-
- bricated
that it subverts the genre, whose manufacture of visual eros can pre-
- sent
seemingly incongruous dualities of beauty and violence, and whose cre-
- ation
of an individual mythology in a universe of kitsch can make sense of the
- meaning
of life, death, and the hereafter.
Tress
speculates that »much of today's photography . . . fails to touch
upon the
- hidden
life of the imagination and fantasy which is hungry for stimulation. The
- documentary
photographer supplies us with facts or drowns in humanity, while
- the
pictorialist, avant-garde or conservative, pleases us with mere aesthetically
- correct
compositions - but where are the photographs we car pray to, that will
- make
us well again, or scare the hell out of us?« [2] Over a span of thirty-five
- years,
Tress has created his own selective world to suggest an answer to his
- query,
a compellingly neo-surrealistic spectrum of imagery. He delights in the
- thought
of leading his viewers through it for one fantastic voyage. .
Next
Page